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Litany for guitar

5,00

Jean Marie Lemarchand

 The choice of fingerings, the use of the middle and low registers of the neck, but also the notes in harmonics as well as the frequent use of open strings and bass holds in front of the song in the high notes are an unquestionable pleasure for the guitarist who will play with fervor this piece praising the natural beauty and the sound curves of the guitar.

Excerpt from the introduction by Lino Markov
End of cycle II
Year of edition :2011
Instrument : Guitar